In this series exploring liquid surfaces, the artist aims to interrogate the irony inherent in aesthetics, drawing attention to the way we are simultaneously drawn to both the ambiguity of the concept of "superficiality" and what we commonly refer to as "natural."

We find ourselves with the results of imperfect angles and edges of the “sculpture” or subject photographed appealing to a type of ‘wabi sabi’ aesthetic. This “kaleidoscopic sculptures” series ignites an inquiring wonder created by the photographic framing that makes in each intersection of edges a subtle thin line between what we know and what we don’t know about the resulting shape’s size, direction or position. 

Now the question of how often do we see something new? Is a colateral venture of this project called “instant sculptures” and this first specific color series called “ink sculptures”. 

Ignacio Calleja chose to get inspired for this photographic series from a text written by Mahatma Gandhi called “The Talisman”. In this photographic series Ignacio Calleja is trying to bring “the face of the poorest and weakest man whom you may have seen” to more audiences with the purpose of a much more felt reflexion about how the next “step you contemplate is going to be of any use” for “the hungry and spiritually starving millions”.